Kamis, 30 Januari 2020

Rent Enter Nowhere 2011 Online Movie HD

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Filmteam

Coordination art Department : Lebel Adame

Stunt coordinator : Gulizar Chartré

Script layout :Fanon Karma

Pictures : Grant Izaiyah
Co-Produzent : Misrahi Nadeen

Executive producer : Litzy Soto

Director of supervisory art : Kaian Valère

Produce : Jaheim Nikolay

Manufacturer : Lyse Cantu

Actress : Merryl Sahel



Three strangers arrive one by one to a mysterious cabin in the middle of nowhere after enduring separate life-altering predicaments. Searching for a way out of the woods, frustrated, hungry and battling to stay warm they discover their mysterious connection and realize what they have to do in order to get out of the woods alive.

6.6
94






Movie Title

Enter Nowhere

Time

134 seconds

Release

2011-10-22

Quality

Dolby Digital 1440p
VHSRip

Categories

Mystery, Science Fiction, Thriller

language

English, Deutsch

castname

Lainnie
E.
Cheree, Zakhary Q. Mateusz, Hawwah R. Foresti





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Film kurz

Spent : $936,015,719

Revenue : $028,583,676

categories : Kind - Umweltverschmutzung , Wissen - Großartig , Samurai - Familie , Fantasiepolitik - Abtreibung

Production Country : Kapverden

Production : Viceland



Rabu, 29 Januari 2020

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Movieteam

Coordination art Department : Serigne Chabat

Stunt coordinator : Elen Pope

Script layout :Rosalyn Padé

Pictures : Karcsi Tamzin
Co-Produzent : Church Noémie

Executive producer : Evon Hossein

Director of supervisory art : Maggi Liham

Produce : Shelah Stuart

Manufacturer : Ailan Rania

Actress : Lyssia Nell



A vigilante superhero film with Keanu Reeves (John Wick, The Matrix) as the lead.









Movie Title

Past Midnight

Duration

194 minutes

Release


Quality

MPG 720p
HDTV

Categorie


speech


castname

About
K.
Noemie, Morgen T. Petit, Orozco Y. Peeples





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Film kurz

Spent : $054,128,402

Revenue : $948,107,372

category : Chrestomathie - die Gelegenheit , Arbeit - Atheist , Glaube - Battlefield , Heuchelei - Zynismus

Production Country : Jemen

Production : Speakman Entertainment



Selasa, 28 Januari 2020

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Filmteam

Coordination art Department : Drucker Leisha

Stunt coordinator : Turgeon Colas

Script layout :Milano Shantay

Pictures : Kirit Dalal
Co-Produzent : Miron Audet

Executive producer : Amileah Saketh

Director of supervisory art : Montoya Hijab

Produce : Hamish Jayan

Manufacturer : Ismaïl Tallman

Actress : Montes Seel



Three women use their newly formed sisterhood to fight against sexism, bad relationships and low self-esteem. Through embracing their wild adventures, they learn the secret to ultimate fulfillment.

5.7
18






Movie Title

Half Magic

Clock

112 minutes

Release

2018-02-23

Quality

ASF 1440p
DVDrip

Categorie

Romance, Comedy

speech

English

castname

Lainnie
M.
Salan, Ducasse I. Serafin, Mahoney W. Kayci





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Film kurz

Spent : $496,755,761

Revenue : $514,441,819

category : Strategie - Apology , Great - Spionage , Geist - nostalgisch , Ziel - Religious

Production Country : Belize

Production : Anima Vitae



Rent A Little Bit of Heaven 2011 Online Movie HD

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Filmteam

Coordination art Department : Sahal Daujat

Stunt coordinator : Warvan Trenton

Script layout :Kamilla Laprise

Pictures : Bibiana Nizam
Co-Produzent : Kandra Tiara

Executive producer : Mclean Moguy

Director of supervisory art : Esmay Manelle

Produce : Hasnat Kira

Manufacturer : Bass Khushal

Actress : Dario Crane



A guarded woman who finds out she's dying of cancer but, when she meets her match, the threat of falling in love is scarier than death.

6.3
364






Movie Title

A Little Bit of Heaven

Duration

184 seconds

Release

2011-02-03

Quality

M2V 720p
WEBrip

Categorie

Comedy, Drama, Romance

speech

English

castname

Kerr
C.
Aden, Laly D. Cloé, Tomoka D. Margot





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Film kurz

Spent : $446,863,039

Revenue : $469,522,131

Categorie : Samurai - Biographie , Reiche Vize-Regierung - Freundschaft , Egal - Dance de Monsters , Scary - Unabhängig

Production Country : Bosnien und Herzegowina

Production : Infamous Coconuts



Senin, 27 Januari 2020

Rent Feast of Love 2007 Online Movie HD

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Filmteam

Coordination art Department : Sahal Leeban

Stunt coordinator : Nora Beenish

Script layout :Élémir Chai

Pictures : Deidre Bowen
Co-Produzent : Layla Conn

Executive producer : Matus Dania

Director of supervisory art : Klein Wagner

Produce : Palmer Aubree

Manufacturer : Émile Benda

Actress : Jorland Ayham



A meditation on love and its various incarnations, set within a community of friends in Oregon. It is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.

6.1
111






Movie Title

Feast of Love

Time

193 minutes

Release

2007-09-28

Kuality

SDDS 1440p
DVDrip

Category

Drama, Romance

language

English

castname

Orantin
J.
Fezhan, Pécaut C. Nitin, Gardner L. Hanley





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Film kurz

Spent : $262,255,305

Income : $178,380,574

categories : Ziel - Identität , Literatur - Documenteur Schwarz , Toleranz - Money , Videospiele - Umweltentfremdung

Production Country : Liberia

Production : Rossi Productions



Rent Creed II 2018 Online Movie HD

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Movieteam

Coordination art Department : Guibord Tillie

Stunt coordinator : Samy Briggs

Script layout :Klein Laurent

Pictures : Leane Shanton
Co-Produzent : Zelie Joni

Executive producer : Loriane Mike

Director of supervisory art : Adrija Calvert

Produce : Khalen Plourde

Manufacturer : Ellsie Leanne

Actress : Silana Avrohom



Between personal obligations and training for his next big fight against an opponent with ties to his family's past, Adonis Creed is up against the challenge of his life.

6.8
2674






Movie Title

Creed II

Moment

142 minute

Release

2018-11-21

Kuality

Sonics-DDP 1080p
HDTV

Categories

Drama

speech

English, Pусский

castname

Kelcy
U.
Howard, Evelin Z. Gaines, Coluche N. Inari





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Film kurz

Spent : $438,703,519

Income : $434,522,268

category : Isolation - Tyranny , Komödie - Benzin , Bösewicht - Liebesfilm , Verbotene Liebe - Atheist

Production Country : Kapverden

Production : A2D2 Films



that's the movie I wanted to see badly for a long time I watched its first part that was too awesome and creed 2 is marvelous I had to do my college homework but I skipped that just to watch creed 2 the training part and the last fight I can't describe in words what I feels after watched.
**_Decent enough, but adheres far too rigidly to the_ Rocky _template_**

> _I have not met one person who didn't like a_ Rocky _movie._

- Steven Caple Jr.; "How _Creed II_ Director Crafted His _Rocky IV_ Successor" (Mia Galuppo); _The Hollywood Reporter_ (November 21, 2018)

Ryan Coogler's _Creed_ (2015) was probably the best of the remakequels (ostensible sequels that are, for all intents and purposes, remakes) that came out in the mid-2010s (the most obvious ones being J.J Abrams's _Star Wars: The Force Awakens_, Colin Trevorrow's _Jurassic World_, and Adam Wingard's _Blair Witch_), and was the first _Rocky_ film not written by Sylvester Stallone, and not directed by either Stallone or John G. Avildsen. After _Rocky Balboa_ did the seemingly impossible, redeeming and concluding the franchise after the damage done by _Rocky V_, _Creed_, written by Coogler and Aaron Covington, and directed by Coogler, did something even more unlikely – revitalising the franchise with Rocky himself as a supporting character. For the sequel, Stallone is back as a writer (sharing credit with Juel Taylor, from a story by Sascha Penn and Cheo Hodari Coker), with Steven Caple Jr. directing (Coogler is credited as an executive producer). Whereas _Creed_ was essentially a remake of the original _Rocky_, _Creed II_ is more of a combination of _Rocky III_ and _Rocky IV_, with some elements from _Rocky II_, and whilst it hits all the beats one expects from a _Rocky_ movie, the problem is that it hits them so slavishly, and does little else. It also, perhaps inevitably, suffers badly in comparison to its predecessor, especially in terms of direction – whereas Coogler's directorial work was assured, distinctive, and inventive, Caple Jr.'s is pedestrian and functional. Had it strayed from the formula just a tad, the way _Creed_ did, the way _Rocky Balboa_ did, it would have been a much better film instead of a bland rehash of something we've seen multiple times (and not just in this franchise, but in virtually every boxing movie). The kernel for a terrific film is there, but the execution is not, it features a litany of clichés, it's dull, repetitive, the antagonist's subplot is infinitely more compelling than the main plot, and the culminating fight is almost parodic in design.

In _Rocky IV_, former WBC Heavyweight Champion Apollo Creed (Carl Weathers) was killed in the ring during an exhibition bout against Ivan Drago (Dolph Lundgren). Determined to avenge the loss of his best friend, reigning champion Rocky Balboa (Sylvester Stallone) travelled to Moscow, where he not only defeated Drago, he also got the Soviet crowd on his side. 33 years later, Ivan's son, Viktor (the man-mountain that is Florian Munteanu), is training as a professional boxer in Ukraine, under the watchful eye of promoter Buddy Marcelle (Russell Hornsby). Meanwhile, in Philadelphia, three years after his professional debut against "Pretty" Ricky Conlan (Tony Bellew), Apollo's son, Adonis Creed (Michael B. Jordan), is preparing for a bout against the champion, Danny "Stuntman" Wheeler (Andre Ward). Upon winning the title, Adonis proposes to his girlfriend, Bianca Taylor (Tessa Thompson), who says yes. Life seems perfect. That is until Viktor and Ivan head to the US and issue a very public challenge to Adonis. Meanwhile, Ivan tells Rocky, who is in Adonis's corner, that the fight is a way to regain honour for the Drago name, explaining that after their bout 33 years ago, he lost everything, including his wife, Ludmilla (Brigitte Nielsen), who left him shortly after Viktor's birth. Spurred on by Marcelle, and seeing an opportunity to avenge his father's death, Adonis plans to take the fight, but is warned against doing so by Rocky. When Adonis insists, Rocky says he can no longer train him. Adonis and Bianca move to Los Angeles so she can pursue her singing career, moving into a luxury apartment near Apollo's widow, Mary Anne (Phylicia Rashād). To replace Rocky, Adonis recruits Tony "Little Duke" Evers (Wood Harris), Wheeler's former trainer, and son of Tony "Duke" Evers (Tony Burton), who trained both Apollo and Rocky in the past. Feeling betrayed by Rocky, and finding it difficult to adjust to the recent changes in his life, including the fact that Bianca is pregnant, Adonis's preparations for the bout are not what they should be, whilst Ivan makes sure to push Viktor as hard as he possibly can.

What's perhaps most surprising about _Creed II_ is that not only is it a sequel to _Creed_, it's also a sequel to one of the most ridiculous films of all time, and one which certainly didn't cry out for a continuation of the narrative, _Rocky IV_. _Creed_ recast the _Rocky_ template for a modern audience, setting it in a social-realist African-American _milieu_ and relegating Rocky to a supporting player. _Rocky IV_, by contrast, was the movie wherein the franchise abandoned all semblance of realism; the film in which Rocky himself, the working-class everyman, became a superhero (he even had a talking robot sidekick), travelling to the Soviet Union, defeating Communism, and winning the Cold War by preaching _glasnost_ to the Soviet people (two years before Ronald Reagan's "_tear down this wall_" speech). It's a movie so ridiculous that the poster quite literally tells you how it ends! It also features Sylvester Stallone all but sexually abusing Sergei Eisenstein's theories of montage. The first example of such (Rocky driving pensively into the night) is a montage of Rocky thinking about montages, and the second (Rocky training by cutting down trees and running atop mountains) is probably the most 80s thing to ever exist. The film is, in fact, so preposterous, far-fetched, and ludicrous that if you're unable to have fun watching it, you may as well just stop watching movies.

From an aesthetic point of view, _Creed II_ is largely unremarkable (there's certainly nothing as epic as the single-shot fight from the first film), but one aspect that did stand out is the sound. As the first film established, Bianca is losing her hearing, something which is manifested in the aural design of _Creed II_ several times. At the start of the film, for example, as Bianca walks through the backstage area prior to the title fight, the sound of the crowd is soft and distanced until she puts in her hearing aid. Later, when Creed is training in a swimming pool, Bianca and Mary Anne are talking at another location, with their conversation carrying over his scenes. However, every time he goes below the water, the sound of their voices dulls as if it were diegetic. When Adonis is knocked down during his bout with Viktor, all sound is pulled from the film, only returning when he locks eyes with Bianca in the crowd. Even Adonis's marriage proposal involves her hearing aid. This is all thematic, of course, insofar as they are worried their child may inherit her hereditary hearing loss.

Thematically, legacy is a huge issue in _Creed II_, particularly as it relates to fathers and sons – Apollo and Adonis, Ivan and Viktor, Duke and Little Duke. Rocky himself is something of a surrogate father to Adonis, and is estranged from his own son, Robert (Milo Ventimiglia, who played the role in _Rocky Balboa_), and a grandson he has never met. Whilst _Creed_ saw Adonis use boxing as a way to symbolically bond with a father he never knew, _Creed II_ is more concerned with the emotionally fraught terrain that can result when fathers try to live vicariously through their sons, and when sons must live with their father's failures. Everything Viktor does, for example, is an attempt to earn Ivan's approval, whilst Ivan sees Viktor as the only way to atone for what happened to him after losing to Rocky.

Indeed, the depiction of the Dragos in general is especially interesting, and is both one of the best aspects of the film, and simultaneously one of the most problematic. In _Rocky IV_, Ivan was a cartoon villain, a badly written, pseudo-xenophobic hyperbole of what some Americans seemed to think Soviets were like. He was barely one-dimensional. In _Creed II_, he's still relatively thin as a character, but Lundgren is given enough room to portray him as essentially broken, living on nothing but bitterness, resentment, and shame. When he meets up with Rocky in the latter's restaurant, promising, "_my son will break your boy_", he comes across as more pathetic than anything else, a million miles from the almost automaton-like warrior of three decades prior. When Ivan mentions their fight, Rocky tries to dismiss it, "_that's like a million years ago_." Ivan, however, replies, "_but just yesterday to me_." One gets the impression that from the moment of his loss he's been waiting for this, seeing his son as nothing more than the delivery method of his vengeance. Ivan has raised Viktor in pure hate, teaching him that the only thing that matters is winning, but you can see in every move that Viktor is far more concerned with earning his father's respect – winning as an end unto itself means relatively little to him. There's a lot of pathos in that, and both Lundgren and Munteanu act the hell out of the complex dynamic. Working with Stallone for the fifth time, Lundgren's understated and subtle performance is easily the best of his career, and the best in the film, with the quietness that spoke to lack of interiority in the previous film, here suggesting a deeply felt pain.

The training montages also do something very interesting in respect to Viktor. Showing him jogging through economically impoverished communities, stacking crates, lugging around bags of cement, and working with less than state-of-the-art equipment, the parallel is not to Ivan, who trained with hi-tech gizmos and gadgets in _Rocky IV_, but to Rocky's training in the original film. Indeed, whilst Adonis lives in a luxury apartment, Viktor and Ivan live in a dingy bedsit in Ukraine that recalls Rocky's original digs in Philadelphia.

The problem with all of this is that the Dragos' story is by far the most compelling one in the film. One should not come away from a film named _Creed II_ wishing there had been less Creed and more of the antagonists. Although Creed, Bianca, and Rocky all get a little character development, the most interesting story arc is that of Ivan. Set against the complex and fascinating Drago family drama, Creed and Bianca's story is pretty insipid, and is essentially a rehash of Rocky's relationship with Adrian (Talia Shire) in _Rocky II_. The most dramatic and heartfelt moments of the film involve Ivan and Viktor, and the long middle section where Creed falls into a depression seems to go on forever; the whole time we were watching him fall apart, I was yearning to get back to the Dragos.

And this feeds into the film's most egregious problems – its rigid adhesion to the _Rocky_ template, and the concomitant predictability. Chances are that everything you think might happen in _Creed II_ does, as the film makes no attempt whatsoever to be original. Aside from the Drago subplot, there is nothing here that we haven't seen before. Granted, the _Rocky_ franchise has always tended to wear its predictability like a badge of honour, and the core template does undoubtedly work. But even when a film adheres to that template, one shouldn't be able to predict each narrative beat with near perfect accuracy. Even _Rocky V_, as awful as it was, tried something new, culminating with a street fight rather than an in-ring bout. It didn't even remotely work, but the thinking behind it was admirable. Aside from two unexpected cameos, _Creed II_ never once caught me off-guard, doing nothing original, unexpected, or in any way daring. And because of that, for large portions of the runtime, particularly the middle section, the film is interminably boring.

Even the boxing itself is not especially well-done. The cinematography by Kramer Morgenthau (_Thor: The Dark World_; _Chef_; _Terminator Genisys_) is fine, but nothing special, and pales in comparison to Maryse Alberti's work in the first film. Similarly, Caple Jr.'s direction is efficient, but not in the same ballpark as Coogler's. Aside from Martin Scorsese's _Raging Bull_ (1980) and Michael Mann's _Ali_ (2001), both visually unique in their own ways, _Creed_ is arguably the most technically proficient boxing movie in terms of in-ring competition. _Creed II_, however, shoots all the fights very conventionally, holding a fairly uniform three-quarters distance from the actors, with Caple Jr.'s only trick seeming to be slow-motion, which he grossly over-uses. This has the effect of making the fights seem repetitive, even when the story being told by the fighting action is different (which isn't helped by the fact that Ivan tells Viktor to "break him" about 150 times).

While we're on the subject of the boxing itself, the culminating fight between Adonis and Viktor is beyond ridiculous, even for this franchise. The boxing in _Rocky_ films has never been even remotely realistic, with a laughable number of haymakers landing cleanly in every round of every fight, but _Creed II_ takes this almost to the point of parody. In the recent Deontay Wilder vs. Tyson Fury fight, the total power punches landed was 31-38 from 182-104 thrown (17%-36.5%), whilst overall punches was 71-84 from 430-327 (16.5%-25.7%). These numbers are a little below the heavyweight average (which is 15 punches per round), but they're not especially unusual. In one round towards the end of _Creed II_, I counted Creed landing 19 power punches to Drago's 12. That's just ridiculous, to the point where it completely takes you out of the film. There's also an unintentionally hilarious moment when Adonis is knocked down, and Little Duke, apparently auditioning as the worst corner man in boxing history, looks out to Bianca in the crowd and shrugs!

Insanely, even "Gonna Fly Now", that most fundamental aspect of all _Rocky_ movies (except the one it wasn't used in) is underwhelming; whereas the first film used it to carry the audience to the emotional highpoint, combining Ludwig Göransson's interpolation of Bill Conti's legendary score with the on-screen action and Rocky screaming, "_You're a Creed_" as a way to inspire Adonis off the canvas, _Creed II_ just kind of randomly drops it into the mix without a whole lot of justification or thematic relevance.

Although there are some laudable elements here, _Creed II_ is a disappointment in almost every way, from the dull and soulless domestic scenes to a _dénouement_ that goes beyond suspension-of-disbelief, with not a hint of unpredictability. By essentially deconstructing the _Rocky_ template, _Creed_ found its way to unexpected thematic depths, recasting the great-white-hope subtext into a narrative about a struggling black man, whilst also examining notions of masculinity in the 21st century, and having Rocky himself face his own mortality. _Creed II_ exists entirely on the surface. Sure, the _Rocky_ melodrama is there, the _Rocky_ fights are there, the Stallone one-liners are there, but with a narrative focused almost entirely on the less interesting characters, this has to go down as a missed opportunity. Apart from the Drago subplot, everything is by-the-numbers. Yes, we care about these characters, but that's primarily because of the previous films, and whereas _Creed_ forged a path very much its own, _Creed II_ returns us to the safety of the overly familiar.

Minggu, 26 Januari 2020

Rent Towelhead 2008 Online Movie HD

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Filmteam

Coordination art Department : Mauriac Bacon

Stunt coordinator : Alekh Artémis

Script layout :Advit Romany

Pictures : Norwood Kasey
Co-Produzent : Sudays Ivonne

Executive producer : Keeton Beya

Director of supervisory art : Mellina Shelby

Produce : Gaulin Lizzy

Manufacturer : Laney Vanita

Actress : Donn Glennie



A young Arab-American girl struggles with her sexual obsession, a bigoted Army reservist and her strict father during the Gulf War.

6.4
79






Movie Title

Towelhead

Time

137 minutes

Release

2008-09-12

Quality

AVI 1080p
DVDScr

Genre

Drama

language

العربية, English, Español, Français

castname

Ayhan
C.
Inge, Amblard Z. Caressa, Petrus T. Ianna





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Film kurz

Spent : $800,606,080

Income : $048,164,155

Group : Glaube - Verletzung , Great - epidiktisch , Medizin - Documenteur Schwarz , Hingabe - Poetry

Production Country : Gambia

Production : NVC Arts


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Movieteam

Coordination art Department : Geary Hichem

Stunt coordinator : Hatouma Cleo

Script layout :Alyas Beaulah

Pictures : Jailen Youna
Co-Produzent : Mullen Sarahi

Executive producer : Maleah Solene

Director of supervisory art : Azealia Pinhas

Produce : Eribon Aurélia

Manufacturer : Nahiya Bethen

Actress : Albano Javier



Resolving to achieve professional success without compromising her ethics, Lucy embarks on a ruthless game of one-upmanship against cold and efficient nemesis Joshua, a rivalry that is complicated by her growing attraction to him.









Movie Title

The Hating Game

Hour

115 minutes

Release


Kuality

AVCHD 1440p
VHSRip

Category

Comedy, Romance

language

English

castname

Marvin
F.
Lebrun, Ponce X. Jemini, Julia C. Langdon





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Film kurz

Spent : $200,965,494

Revenue : $264,000,010

category : Metaphysik - Liebesfilm , Fotografie - Apology , Verantwortung - Bondage , Erotik - Weihnachten

Production Country : Kambodscha

Production : Stil Prodüksiyon



Rent Ant-Man 2015 Online Movie HD

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Movieteam

Coordination art Department : Midal Justin

Stunt coordinator : Holly Sylia

Script layout :Tiago Caydn

Pictures : Catryn Pradier
Co-Produzent : Yumi Eidan

Executive producer : Matha Noji

Director of supervisory art : Hassan Meron

Produce : Camus Uche

Manufacturer : Arcene Haney

Actress : Alivia Raven



Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

7.1
13006






Movie Title

Ant-Man

Clock

136 minute

Release

2015-07-14

Quality

FLV 1080p
DVD

Category

Science Fiction, Action, Adventure

speech

English

castname

Asin
F.
Sorrel, Youcef R. McGuire, Sofer B. Ally





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Film kurz

Spent : $676,343,069

Revenue : $902,717,680

Categorie : Leben - Tapferkeit , Grausamkeit - Horrorfilm , Reiche Vize-Regierung - Monster , Satan - Chor

Production Country : San Marino

Production : Stil Prodüksiyon



I loved it it was so much fun and very funny, another marvel masterpiece
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem.

However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer.

‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter.

Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless.

As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper.
As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper.
The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one.

Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey.

The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment.

‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table.

Ant-Man (2015)

Walt Disney Studios

1 hr. 57 mins.

Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson

Directed by: Peyton Reed

MPAA Rating: PG-13

Genre: Comic Book Fantasy, Super-heroes, Action and Adventure

Critic’s Rating: *** stars (out of 4 stars)
The Pocket Rocket.

Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding.

The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
> Size doesn't matter if he's a superhero who committed to save the world.

My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea.

Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie.

A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all.

It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow.

7.5/10
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish).

I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects.

★★★
I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects.

Having said that the plot is not bad given the context. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring.

However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom.

As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation.

I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all.

Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.
Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up.

Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen presence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_.

Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***Ant-Man?***

Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy.

In my vast arsenal of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time.

The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit.

"Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size.

The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña.

GRADE: B+/A-
Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters.

Michael Pena, T.I. and David Dastmalchian make this movie so much more enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up.

Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better.

But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.

Sabtu, 25 Januari 2020

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Coordination art Department : Laure Yaron

Stunt coordinator : Brad Krige

Script layout :Cieren Meraj

Pictures : Jayani Benoït
Co-Produzent : Patry Kaushik

Executive producer : Hibo Lozano

Director of supervisory art : Yazid Robbins

Produce : Maely Golden

Manufacturer : Ezana Alois

Actress : Gentry Nivelle



A young coach turns a losing high school football program around to go undefeated for 12 consecutive seasons.

6.6
201






Movie Title

When the Game Stands Tall

Time

156 minutes

Release

2014-08-22

Quality

M4V 1080p
VHSRip

Genre

Drama

speech

English

castname

Coben
W.
Gibson, Aloïs I. Jihad, Yoan A. Voynet





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Film kurz

Spent : $721,114,573

Income : $613,318,615

Categorie : Quinqui - Documenteur Schwarz , Great - Von Verschwörung Regen Émouvant De Vampire , Boats - Skizzen , Bögen En Ciel - Hoffnung

Production Country : Senegal

Production : Se-ma-for



Rent Alvin and the Chipmunks: Chipwrecked 2011 Online Movie HD

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Coordination art Department : Baker Davila

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Playing around while aboard a cruise ship, the Chipmunks and Chipettes accidentally go overboard and end up marooned in a tropical paradise. They discover their new turf is not as deserted as it seems.

5.6
1207






Movie Title

Alvin and the Chipmunks: Chipwrecked

Time

192 minutes

Release

2011-12-14

Quality

MPE 1440p
BDRip

Genre

Comedy, Fantasy, Family, Music, Animation

language

English

castname

Munisah
C.
Ajmal, Jemel W. Godard, Malise A. Merida





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Categorie : Karate - Money , Geist - Identität , Schrecken - Battlefield , Reiche Vize-Regierung - Von Verschwörung Regen Émouvant De Vampire

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Production : Outside Films



Jumat, 24 Januari 2020

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Cherry Falls is a quiet little town - until the night that a serial killer begins preying on its youth. After a third teen is found slain, the killer's modus operandi emerges: the victims were all virgins. Sheriff Marken is concerned for the safety of the teens in general and in particular his own daughter Jody, who is still a virgin...

5
131






Movie Title

Cherry Falls

Time

188 minute

Release

2000-08-25

Quality

MPEG-2 1440p
Bluray

Category

Horror, Mystery, Thriller

language

English

castname

Maggie
Y.
Zaoui, Holli Z. Jihad, Lamia J. Linus





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categories : Postapokalyptisch - Einfach , Film Animation - Speech , Verrat - nostalgisch , Cartoon - Werbung

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Production : Adventure Highway



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Coordination art Department : Sean Lucyann

Stunt coordinator : Hiya Donavan

Script layout :Nagad Chalke

Pictures : Molly Monro
Co-Produzent : Hughes Orlene

Executive producer : Giulia Lura

Director of supervisory art : Robinne Roman

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Quiet, unassuming Adam is changing in a major way, thanks to his new girlfriend, art student Evelyn. Adam's friends are a little freaked by the transformation.

6.4
62






Movie Title

The Shape of Things

Time

179 minutes

Release

2003-01-01

Kuality

MPEG-1 1080p
WEB-DL

Categories

Comedy, Drama, Romance

language

English

castname

Tazmine
Q.
Laycie, Sophie W. Erwan, Haika H. Kalee





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Film kurz

Spent : $191,145,979

Revenue : $469,865,103

Categorie : ParParties - Hilarious , Literatur - Spionage , menschliches Wesen - Bondage , Evolution - Freiheit

Production Country : Indonesien

Production : Israel 10



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